Marc Bourlier
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artist: Marc Bourlier
title: l'Arbre Sacre No. 2 (The Sacred Tree no. 2), 2010
inventory: MB-3719
media: Driftwood, linen string
size: 23 x 9 x 2 1/2 inches
price: contact gallery
artist: Marc Bourlier
title: Réunion de familie (Family Reunion), 2009
inventory: MB-3720
media: Driftwood, linen string
size: 24 x 6 x 1 1/2 inches
price: contact gallery
artist: Marc Bourlier
title: La Lune est Pleine (The Moon is Full), 2010
inventory: MB-3722
media: Driftwood, linen string
size: 15 3/4 x 15 3/4 x 1 inches
price: contact gallery
artist: Marc Bourlier
title: Divinité (Divinity), 2011
inventory: MB-3973
media: Driftwood, linen string
size: 20 x 9 x 3 1/2 inches
price: contact gallery
artist: Marc Bourlier
title: Que sont mes amis devenus (What have my friends become), 2011
inventory: MB-3974
media: Driftwood, linen string
size: 25 x 9 1/2 x 5 inches
price: contact gallery
artist: Marc Bourlier
title: Untitled, 2012
inventory: MB-4227
media: Mixed media on paper
size: 17 x 13 inches
price: contact gallery
artist: Marc Bourlier
title: Untitled, 2012
inventory: MB-4228
media: Mixed media on paper
size: 17 x 13 inches
price: contact gallery
artist: Marc Bourlier
title: Untitled, 2012
inventory: MB-4229
media: Driftwood
size: 26 x 15 x 5 inches
price: contact gallery
artist: Marc Bourlier
title: Untitled, 2012
inventory: MB-4230
media: Driftwood
size: 14 x 16 1/2 x 5 inches
price: contact gallery
artist: Marc Bourlier
title: Untitled, 2012
inventory: MB-4231
media: Driftwood
size: 16 x 23 1/2 x 5 inches
price: contact gallery
Marc Bourlier (France)
Born in Saigon, Marc Bourlier spent his youth moving between Africa, South America, and Asia. After watching the light passing through so many landscapes, he developed an eye and appreciation for the colors and textures of the natural world. He first became a painter, admiring the work of Calder, Miró, Braque, and Leger. Even when working with paint, it is said that he has always had a gift for letting the material "show its own face."
After a show in Brussels in 1986, he began a period where he worked exclusively with corrugated cardboard for almost ten years. The style of Bourlier’s work that we see now seems to be the product of random chance: one day in 1995 while sitting on the beach in Normandy, a small piece of driftwood caught his eye, and he used it to make his first driftwood piece. This act of appropriation marked the transition of the artist from color to non-color, and from painting to “almost” sculpture. The only common thread from his previous work to now is the human element at the heart of his approach.
With each intervention of the sculptor, each point dug out from the wood, an expression arises from a minimal gesture – each asserts its own expression of tenderness, humor, sadness, complacency, indifference, even seductiveness. At its core, Bourlier’s work creates his little beings as metaphors for ourselves, bearers of hope who grew from their original gnarled stems into strongly defined people.
