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Ed Paschke

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Ed Paschke Chopsticks

artist: Ed Paschke

title: Third Quarter
(1990)


inventory: ep-3941

media: mixed media on paper

size: 17 x 14

price: Contact Gallery

 

Ed Paschke Chopsticks

artist: Ed Paschke

title: Second Quarter
(1990)


inventory: ep-3942

media: mixed media on paper

size: 14 x 17

price: Contact Gallery

 

Ed Paschke Chopsticks

artist: Ed Paschke

title: Fourth Quarter
(1990)


inventory: ep-3943

media: mixed media on paper

size: 14 x 17

price: Contact Gallery

 

 

Ed Paschke Chopsticks

artist: Ed Paschke

title: First Quarter
(1990)


inventory: ep-3944

media: mixed media on paper

size: 17 x 14

price: Contact Gallery

 

Ed Paschke (American, 1939-2004)

from Wikipedia:

"Edward Francis Paschke was a Polish American painter. He was born in Chicago, where he spent most of his life. His childhood interest in animation and cartoons, as well as his father's creativity in wood carving and construction, led him toward a career in art. As a student at the School of the Art Institute of Chicago he was influenced by many artists featured in the Museum's special exhibitions, in particular the work of Gauguin, Picasso and Seurat.

Although Paschke was inclined toward representational imagery, he learned to paint based on the principles of abstraction and expressionism. Paschke received his bachelor of fine arts degree from the School of the Art Institute of Chicago in 1961, and later his Masters Degree in Art in 1970 from the same school. Drafted into the Army on November 4, 1962, he was sent to Fort Polk, Louisiana, where he worked in the Training Aids Department, working on projects including illustrations for publications, signs, targets and manuals to explain weapons and procedures to incoming troops.

Paschke studied at the School of the Art Institute of Chicago during the height of the Imagist movement in the late fifties, while supporting himself as a commercial artist. He avidly collected photographs-related visual media in all its forms, from newspapers, magazines, and posters to film, television, and video, with a preference for imagery that tended toward the risqué and the marginal. Through this he studied the ways in which these media transformed and stylized the experience of reality, which in turn impacted on his consideration of formal and philosophical questions concerning veracity and invention in his own painting. At the same time, he sought living and working situations -- from factory hand to psychiatric aide - - that would connect him with Chicago’s diverse ethnic communities as well as feed his fascination for gritty urban life and human abnormality. Thus he developed a distinctive oeuvre that oscillated between personal and aesthetic introspection and confronting social and cultural values."


Judy A Saslow Gallery

Outsider Art - Contemporary Art - Folk Art
300 West Superior - Chicago IL 60654
phone 312.943.0530 - fax 312.943.3970
www.jsaslowgallery.com - jsaslow@corecomm.net
Tues-Fri 11-6, Saturday 11-5

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